Donate

It’s official: even Mary Poppins is racist now

The BBFC has uncovered ‘discriminatory language’ in the classic children’s film.

Thomas Osborne

Topics Culture Identity Politics UK

Want to read spiked ad-free? Become a spiked supporter.

‘Racism’ is probably not the first word that comes to mind when most of us think of Mary Poppins. Yet Disney’s 1964 children’s classic has long been an unlikely target of rabid social-justice warriors.

Back in 2019, New York Times writer Daniel Pollack-Pelzner took Mary Poppins to task for ‘shamefully flirting with blackface’. This was in reference to when Poppins gets covered in soot during the ‘Step in Time’ musical number. ‘Instead of wiping it off’, he complained, ‘she gamely powders her nose and cheeks and gets even blacker’. This entirely innocent scene was thus held up as ‘proof’ of the film’s supposed bigotry.

Now the British Board of Film Classification (BBFC), the UK’s government-approved film regulator, seems to agree that Mary Poppins is racist – although not for its alleged ‘blackface’. This week, the BBFC raised the film’s age rating from U to PG due to its ‘discriminatory language’.

The language in question is the rather archaic racial slur ‘hottentot’. This was once used by Europeans to describe indigenous South Africans as primitive barbarians. In the film, it is uttered by a senile man.

The BBFC is convinced that children could find this term ‘distressing’, although it seems unlikely they will even know what it means. Indeed, this is probably why it has hidden in plain sight for so many decades – and why most modern parents are still comfortable showing the film to children.

Enjoying spiked?

Why not make an instant, one-off donation?

We are funded by you. Thank you!

Please wait...
Thank you!

The BBFC’s calling out of Mary Poppins is clearly not about protecting children from dated language. It simply reflects the woke drive to find racism everywhere. To trawl through classic culture searching for things to be offended by.

This is absurd. If Mary Poppins is racist, then I’m a magical nanny.

Thomas Osborne is an editorial assistant at spiked.

Picture by: Getty.

HELP US HIT OUR 1% TARGET

spiked is funded by you. It’s your generosity that keeps us going and growing.

Only 0.1% of our regular readers currently donate to spiked. If you are one of the 99.9% who appreciates what we do, but hasn’t given just yet, please consider making a donation today.

If just 1% of our loyal readers donated regularly, it would be transformative for us, allowing us to vastly expand our team and coverage.

Plus, if you donate £5 a month or £50 a year, you can join and enjoy:

–Ad-free reading
–Exclusive bonus content
–Regular events
–Access to our comments section

The most impactful way to support spiked’s journalism is by registering as a supporter and making a monthly contribution. Thank you.

Please wait...

Comments

Want to join the conversation?

Only spiked supporters and patrons, who donate regularly to us, can comment on our articles.

Join today